- Vogue Cover Triumph: Nicki Minaj’s Vogue cover marks a significant milestone, symbolizing her influence and recognition in the fashion world.
- Career Impact: Minaj’s career journey, fueled by ambition, faith, and hard work, has set the stage for the surge of female rappers and defined a path for merging hip-hop and pop in the digital era.
- Album Evaluation: “Pink Friday 2” falls short of expectations, lacking the captivating vulnerability and sharp-tongued bars found in Minaj’s earlier works.
- Sampling Nostalgia: The album heavily relies on nostalgia with 11 out of 22 tracks featuring prominent samples, showcasing a blend of success and disappointment in handling throwbacks.
- Sexuality and Contradictions: Minaj’s aversion to explicit sexuality in her music clashes with contradictory lyrics, creating a tension that raises questions about authenticity and complicates her image.
In March 2022, Nicki Minaj engaged in a candid conversation with Joe Budden, covering topics ranging from Billboard metrics to plastic surgery and trend-chasers. Approximately an hour into the discussion, the focus shifted to her impact on the fashion world. Reflecting on her status as the most significant female rapper, Minaj remarked, “You would think that the biggest female rapper of all time… would have been on the cover of American Vogue. But she hasn’t.”
Fast forward to last month, and Anna Wintour, the editor-in-chief of Vogue, finally recognized the undeniable influence of Nicki Minaj, granting her the coveted cover. This milestone encapsulates Minaj’s career trajectory — a journey marked by unwavering faith and hard work, paving the way for the current surge of female rappers. It also outlines a potential trajectory for the fusion of hip-hop and pop music in the digital music era.
Minaj’s aspirations trace back to childhood when, at the age of five, she prayed to become wealthy enough to buy her mother a house. Now, at forty and a mother herself, Minaj has taken a step back from the public eye in recent years, having little left to prove to anyone, including herself. Nevertheless, her enduring appeal persists. The streaming release of “Beam Me Up Scotty” surged to No. 2 on the Billboard Charts over a decade after its original DatPiff debut.
Throughout the year, strategic remixes of tracks like Ice Spice’s “Princess Diana” and Sexyy Red’s “Pound Town” ensured that Minaj remained at the forefront of discussions. An Aqua-remixed collaboration with Spice for the Barbie soundtrack swiftly gained global success, solidifying her ongoing impact in the ever-evolving landscape of music.
Part of what makes Nicki Minaj so captivating is her unwavering authenticity. Even when adapting her style to fit into EDM-ready tracks, you unmistakably hear Nicki Minaj. Equally significant is the fact that, despite a multitude of imitators, no one else’s music captures the essence of Nicki; they might mimic the flows and fashion, but orchestrating the resources needed for grandiose, heavily-produced albums demands more than just creative inspiration.
Interestingly, Nicki herself doesn’t necessarily see her recent albums as truly reflective of who she is. In a recent interview with Vogue, she candidly admitted, “When I look back at a lot of my music, I’m like, Oh, my God, where was the me in it? For this album, I went back to the old game plan.” While the notion of returning to one’s roots and proclaiming, “I’m bringing back the old me,” is a familiar narrative in album cycles, it’s somewhat unexpected coming from Nicki. It raises the intriguing question: if we’ve been listening to a diluted version of Nicki, what does it sound like to experience her fully energized and fired up?
Nicki Minaj’s album, “Pink Friday 2,” falls short of expectations as a sequel to her 2010 debut. While it aligns more with the sonic textures of “The Pinkprint” (2014) and “Queen” (2018), it lacks the captivating vulnerability and sharp-tongued bars found in its predecessors.
The disappointment becomes evident early on with tracks like “Are You Gone Already” and “Barbie Dangerous,” where Minaj raps over minimally altered Billie Eilish and Notorious B.I.G. beats. The former delves into pre- and post-partum stress amid the passing of her father, while the latter covers familiar ground of asserting dominance over rivals. However, these tracks, reminiscent of 2007 Lil Wayne, fall flat compared to Nicki’s past works, lacking the transformative or superlative qualities found in her notable tracks like “All Things Go” and “Barbie Dreams.”
Nostalgia takes center stage on PF2, with 11 of 22 tracks featuring prominent samples. While sampling is a familiar tactic for Nicki, the sheer quantity and recognizability of these samples are noteworthy, reminiscent of her 2009 mixtape, Beam Me Up Scotty.
The album isn’t without its successes. The lead single, “Super Freaky Girl,” sampling Rick James, aligns with “Pink Friday Girls,” repurposing Cyndi Lauper’s “Girls Just Want to Have Fun” for a high-octane effect. The use of throwback samples serves as a bridge between past and present, akin to a DJ blending ’80s hits with contemporary tracks.
However, more traditional overhauls showcase Minaj’s lyrical prowess. The Lil Uzi Vert feature, “Everybody,” and album highlight “FTCU” both leverage samples to create club anthems, highlighting Nicki’s lyrical prowess.
Despite her strong track record with features in recent years, Pink Friday 2 disappoints with its lyrical flatness and static flows. The camp theatrics of earlier albums are absent, replaced by more generic verses about gang affiliations and boilerplate threats. The album lacks the snarling, unapologetic delivery that defined Nicki’s earlier work.
Nicki has framed PF2 as a mature album, but its thematic inconsistency and the separation of her rapper and romantic personas raise questions. The demure portrayal as a mother clashes with the iconography of a sex-positive pop star, leaving fans longing for the raw, unfiltered Nicki of the past.
“It’s hard not to feel a pang of longing for the Nicki Minaj who brutally berated stupid hoes and threatened to put her “dick in your face.”
Nicki Minaj navigates a delicate balance on PF2, expressing a reluctance to showcase explicit sexuality while delivering contradictory lyrics just tracks apart. This contrast, like stating, “These bitches gotta shake they ass to show sex appeal” and following with explicit imagery, raises questions about the authenticity of her stance.
The Barbz, loyal fans despite past controversies, may find the cognitive dissonance challenging. Minaj’s history includes controversies like supporting a convicted sex offender and expressing COVID vaccine skepticism. The juxtaposition of her personal choices and music content, especially in collaborations like “Super Freaky Girl” and “Cowgirl” with Dr. Luke, adds complexity.
Musically, PF2 falls short of Minaj’s earlier albums, lacking the innovation seen in tracks like “Moment 4 Life” or “Check It Out.” Despite standout performances on some tracks, the overall album fails to chart a new path forward. If this is the result of the “old game plan,” there’s hope for a return to the new and innovative in Minaj’s future work.